Pauline Martin,
Pianist
EDUCATION
D. M. A. (Piano Performance, The University of
Michigan, Rackham School of Graduate Studies, 1982.
Gary Graffman and Theodore Lettvin, instructors;
classes with Murray Perahia and Andre Watts.
M. M. (Piano Performance), Indiana
University, 1977.
Menahem Pressler, instructor; chamber music with Gyorgy
Sebok and James Buswell. Minor in Music Theory.
B..M. (Piano Performance), Indiana
University, 1976.
Menahem Pressler, instructor; accompanying: Joseph Rezits.
EXPERIENCE
Assistant
Professor of Piano, Michigan State University (2002 to present)
Graduate and undergraduate applied piano, piano accompanying
Adjunct Piano Faculty, Wayne State University
(1993-2001)
Graduate and undergraduate applied piano, piano pedagogy,
piano proficiency and keyboard harmony
Instrumental chamber music classes (substitute teaching)
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Initiated a partnership with Chamber Music Society of Detroit to present internationally known artists |
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Menahem Pressler, Joseph Silverstein and others in master-classes at WSU resulting in new student recruits |
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Performed in departmental & interdisciplinary events (Holocaust memorial, ‘City Sketches’, ‘Rebounding’) |
Lecturer, Oakland University. (1998-2000)
Chamber Music and Ensemble Piano: Coordinator and coach for
all classes and concerts
Raised performance levels and repertoire through high caliber
of community recruits
Student recruitment in above schools achieved through high visibility as:
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Performer (See attached biography and reviews)
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Recording Artist (See attached discography)
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Writer and Guest speaker (examples)
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Judge and Adjudicator (examples)
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Doctoral Assistant in Piano, The University of
Michigan, Ann Arbor (1978-1982)
Studio piano instruction (graduate and undergraduate music
majors) and studio classes.
Class piano at the third and fourth semester level.
Instructor of Piano, Eastern Mennonite College,
Harrisonburg, Virginia 1977-1978.
Director of all studio and class piano, piano pedagogy and sophomore
theory. Also:
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Co-authored: 1. new music curriculum 2. new mission statement for the department |
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Established and directed regular performance classes, open to all music students |
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Developed professional rapport with neighboring institutions, resulting in joint performances, on and off campus |
Graduate Assistant, Indiana University (1976-1977) Freshman theory and keyboard harmony
Undergraduate Assistant, Indiana University (1975-1976) Theory (non-majors) and sight-singing (majors)
PROFESSIONAL ASSOCIATIONS
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Chamber Music America |
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National Music Teachers’ Association |
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Detroit Musicians’ League |
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Michigan Music Teachers’ Association |
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Tuesday Musicale of Detroit |
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Michigan Arts and Humanities Touring Roster |
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American Association of University Women |
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Birmingham Musicale |
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Friends of Four Hands |
OTHER AFFILIATIONS
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Advisor to Junior League of Tuesday Musicale of Detroit |
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Artistic Director, Mozart Society of Greater Detroit (1999-present) |
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Consultant to Chair of Education Committee, Detroit Symphony Orchestra Board of Directors (1999-2000) |
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Board member and Director of Chamber Music Concert Series, Plymouth Symphony Society (1981-85) |
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Chair, Music Director Search Committee (PSS) |
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Chair, Music Director Search Committee, Holy Spirit Lutheran Church (2000) |
STUDENT ACHIEVEMENTS
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Scholarships and awards:
Graduate assistantships:
Faculty:
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Festival participants:
Concerto soloists:
Orchestra pianists:
Recitalists:
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